Color Palettes
We believe color is a fundamental language and your work is only as good as your color palette. So… We put together free PDFs of our films showing true color mastery for you to apply to your next interior or production project.
* From your favorite filmmakers
Wong Kar-wai
✳︎
Jean-Pierre Jeunet
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Paris, Texas
✳︎
The Color of Pomegranates
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Holy Mountain
Wong Kar-wai ✳︎ Jean-Pierre Jeunet ✳︎ Paris, Texas ✳︎ The Color of Pomegranates ✳︎ Holy Mountain
Sun-bleached desert neutrals (dusty sand, rust, tobacco, and ochre) with intense cyan, teal, and scarlet. A faded Americana with roadside neon: dry, lonely, cinematic, and emotionally electric.
Humid, bruised, and drunk color washes that bleed into one another. Set against deep blue-black nights, neon, smoke, tungsten light, and film grain. The hues are saturated but never digitally pure.
A world both decayed and romantic, adorned by smoke, rust, candlelight, and old wallpaper. Colors are muddy and impure. A place characterized as both whimsical yet grimy, nostalgic yet surreal.
Occult pageantry drenched in 1970s psychedelia. The mood is opulent, grotesque, satirical, and fever-dreamlike with colors like acid turquoise found in sacred symbols, luxury objects, costumes, and alchemical imagery to marvel at.
Ritualistic, jewel-like, and deeply symbolic, built from pomegranate red, saffron, indigo, dusty rose, aged ivory, and earthen brown. The mood is sacred and theatrical via medieval iconography, textiles, fruit, stone, and religious objects arranged into living tableaux.